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“Space junk” which from afar resembles tiny paint specks, are debris left over by humans satellites that are now trapped into the universe. The debris have different scales depending on the point of view.
The shapes were inspired by the forms of actual debris, the paint specks laser cut on each shape represent the perception of space junk in the universe. The sculpture plays with lights and shadows to disorient the viewer.
DEBRIS
These works focus on debris accumulated on a surface.
The wood was carved to create the dimensional effect of the paint. It challenges the traditional ways of painting
The carving is very delicate in order to almost be perceived as a thin layer of paint. When looking closer at the carved areas, the wood grain becomes visible and creates a beautiful natural dynamic.
SABER'S BEADS
SABER'S BEADS
SABER'S BEADS
These works are inspired by the duality between dark and light alluding to an eclipse. Saber’s beads is the broken arc of illumination surrounding the moon. The gold has been carved with a laser cutter to be damaged and broken. They are references to the relationship between nature and humanity.
These works are inspired by the duality between dark and light alluding to an eclipse. Saber’s beads is the broken arc of illumination surrounding the moon. The gold has been carved with a laser cutter to be damaged and broken. They are references to the relationship between nature and humanity.
JOYCE BILLET (b. Paris, France) is a French-American artist living and working in Miami, FL. Her background in architecture has encouraged her to play with material and textures in an effort to mix the sensations of painting and sculpture. By questioning material, process, and purpose, Billet's work presents a dialogue between the analog and the digital via themes surrounding nature, absence, and materiality. Drawing from organic entities, her process begins by capturing textures through photography and abstract paintings. Source materials are later translated to computer-generated formats which enables her to machine-cut and etch the work onto wood surfaces.
Central to Billet's practice is a desire to foster conversations about how humanity can coexist with nature while embracing technology. Adhering to a strong craft tradition, she employs plywood as her main material and challenges the evolutionary trajectory it has undergone in the process. Embodying each piece with value and meaning, the highly industrialized plywood, once stripped of identity and connection to nature, is repurposed in a second life. Its disposition to be etched, cut, and malleable while remaining organic ties Billet's practice back to nature from beginning to end.
Billet was invited as a Special Project two years in a row at Untitled Art Fair, Miami Beach, 2021 and 2022. She was awarded an Art in Public Places opportunity from the Miami-Dade County Department of Cultural Affairs in 2023, and an artist residency accompanied by a solo exhibition in the Miami Design District in 2024.
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